Tuesday, October 21, 2014

Time for women in Hollywood to age naturally without plastic surgery.

As most of the world is now aware, Renee Zellweger had the kind of "work" (aka facial surgery) done which erased much of the face she exhibited during her years of Movie Stardom in the 1990s and 2000s.

And, of course, it's difficult to make a nuanced complaint about it in a quick-to-polarize, fueled-by-social-media world.

The last time a major actress appeared as a victim of bad plastic surgery was Kim Novak at the 2014 Academy Awards.  She was greeted with a lot of sexist mockery countered with "it's her choice" pushback.

I watch the still-running ABC daytime soap opera GENERAL HOSPITAL and wince (but not from sexism) when I see Jackie Zeman and Donna Mills appear.

They've had the kind of plastic surgery/facial injections that either immobilize the facial muscles (which appears to have happened to Donna Mills) or puff up the cheeks so much that they're immobile when the actress smiles or exhibits emotions (Jackie Zeman).

True, there are women of a certain age in the business who opt for relatively minimal Botox treatments--some who look a bit blurry as a result (Kelly Ripa) and others who still resemble their younger selves (Rene Russo).

Like it or not, people get older and age visibly on their own.

And it's time for women (and men)--and studio/network executives--to accustom themselves to this without ludicrous or hideous attempts to halt time and force a mask-wearing vision of unwrinkled "youth" onto consumers of "product" and "content."

My modest proposal: plastic surgery should be avoided unless it's intended to undo the results of automobile accidents and/or face-slashing by mentally disturbed criminals.

Friday, October 17, 2014

Abby Norman on Ebola in America.

The truth is, in terms of virology, Ebola should not be a threat to American citizens. We have clean water. We have information. We have the means to educate ourselves, practice proper hand-washing procedures, protect ourselves with hazmat suits. The CDC Disease Detectives were dispatched to Dallas almost immediately to work on the front lines to identify those who might be at risk, who could have been exposed. We have the technology, and we certainly have the money to keep Ebola at bay. What we don't have is communication. What we don't have is a health care system that values preventative care. What we don't have is an equal playing field between nurses and physicians and allied health professionals and patients. What we don't have is a culture of health where we work symbiotically with one another and with the technology that was created specifically to bridge communication gaps, but has in so many ways failed. What we don't have is the social culture of transparency, what we don't have is a stopgap against mounting hysteria and hypochondria, what we don't have is nation of health literate individuals. We don't even have health-literate professionals. Most doctors are specialists and are well versed only in their field. Ask your orthopedist a general question about your health -- see if they can comfortably answer it.

From the article "I'm a Hazmat-Trained Hospital Worker: Here's What No One Is Telling You About Ebola" on www.huffingtonpost.com

Wednesday, October 15, 2014

RIP Los Angeles' New Beverly Cinema.

I'm happy to say I was one of the donors who made now-former New Beverly Cinema employee Julia Marchese's documentary OUT OF PRINT (about the 35mm vs digital controversy) a reality.

Was saddened to read today about Julia being ousted by Quentin Tarantino's personal assistant Julie McLean.  Before Julia, Tarantino relieved then-manager Michael Torgan (son of original manager Sherman Torgan) of his duties

Here's Jen Yamato's take on the story from DEADLINE:
http://deadline.com/2014/10/quentin-tarantino-new-beverly-slammed-employee-julia-marchese-out-of-print-852106/

And here's the entire blog post from Julia, with a link to see OUT OF PRINT for free:
http://juliamarchese.wordpress.com/2014/10/15/i-will-not-be-censored

Monday, October 13, 2014

Bono explains the righteousness of corporations paying lower taxes in other countries for you.

In the midst of rock writer Dorian Lynskey's mostly-wet-kiss profile of U2 and SONGS OF INNOCENCE, there's this passage of Bono the Plutocrat formerly known as Paul Hewson waxing eloquent:
Of course, the biggest blow to Bono’s activist reputation has been U2’s collective decision in 2006 to transfer U2 Ltd, which handles their publishing royalties (not the bulk of their income but a significant chunk), from Ireland to the Netherlands to reduce their tax bill. Their Glastonbury set attracted a small lobby of banner-waving protesters. Edge is painstakingly even-handed about it. “Was it totally fair? Probably not. The perception is a gross distortion. We do pay a lot of tax. But if I was them I probably would have done the same, so it goes with the territory.”
Like the protesters, I think the arrangement sits badly with Bono’s development [charitable] work and we go back and forth for a while. It isn’t a clandestine offshore tax haven, Bono insists. “All of our stuff is out in the open. How did people find out about it? Because it’s published. The sneakiness is when you don’t even know what’s going on.” Eventually, we agree to disagree, and the conversation moves on to Ireland’s corporation-friendly tax laws, currently the subject of an EU investigation.
“Look, Ireland is not going to back down on this,” he says. “We are a tiny little country, we don’t have scale, and our version of scale is to be innovative and to be clever, and tax competitiveness has brought our country the only prosperity we’ve known. That’s how we got these [tech] companies here. Little countries, we don’t have natural resources, we have to be able to attract people. We’ve been through the 50s and the 60s, and mass haemorrhaging of our population all over the world. There are more hospitals and firemen and teachers because of [Ireland’s tax] policy.”

The complete Lynskey profile of U2 can be found here:
http://www.theguardian.com/music/2014/oct/12/u2-job-art-divisive-interview

Friday, October 10, 2014

Guessing the 2015 Rock and Roll Hall of Fame Inductees.

From Andy Greene's announcement article in ROLLING STONE:
The nominations for the Rock and Roll Hall of Fame's Class of 2015 are in, and the list includes Green DayNine Inch NailsN.W.Athe SmithsLou Reed and Sting. The rest of this year's hopefuls are the Paul Butterfield Blues Band, KraftwerkChicJoan Jett & the Blackhearts, the Marvelettes, the Spinners, Stevie Ray Vaughan, War and Bill Withers. The top vote-getters will be announced toward the end of the year and inducted on April 18th, 2015 at a ceremony in Cleveland, Ohio.


Read more: http://www.rollingstone.com/music/news/green-day-nine-inch-nails-smiths-nominated-for-rock-and-roll-hall-of-fame-20141009#ixzz3Fmau5agC

Here are my guesses for next year's inductees:
Sting 
Green Day
Stevie Ray Vaughan
Chic
Lou Reed
The Smiths


Tuesday, October 7, 2014

Another 99-cent e-book: THE USE YOUR DELUSION POETRY SAMPLER.

Years ago, I wrote a couple of chapbooks about the Southern California poetry scene as I experienced it (and witnessing its effect on other poets).

THE USE YOUR DELUSION POETRY SAMPLER: NEW AND USED POEMS ABOUT POETRY WORLD is a compilation of the best poems from the two USE YOUR DELUSION chapbooks.

For the next three months, it will be on-sale exclusively from Amazon.

It costs only 99 cents.

Here's the link:
http://www.amazon.com/USE-YOUR-DELUSION-POETRY-SAMPLER-ebook/dp/B00O8KPW9M/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1412668547&sr=1-1&keywords=Terry+McCarty

Monday, October 6, 2014

I have a free e-book available now--CONSPICUOUS PRESUMPTIONS.

Not repeating the mistake of U2, their megamanager Guy Oseary and Apple with SONGS OF INNOCENCE, here are links to reading or downloading my new and free e-book of poetry CONSPICUOUS PRESUMPTIONS:
https://www.scribd.com/doc/242107688/Conspicuous-Presumptions
http://www.4shared.com/office/qi5VAYTAba/ConspicuousPresumptions.html
(Note: the 4shared file is Microsoft Word)